Figurative Art Fair 2020
Art show from the Mall Galleries, an online only Figurative Art Fair from the Federation of British Artists. It pains me that I can't see this in real life now, even without the current virus situation (without a long train trip) but virtual is better than nothing. Something for everyone I think, not all "figurative" (very little maybe, oddly). Some terrible, some lovely. Worth a few moments to have a page through the works.
You don't see "100% Extra Free" boxes of blueberries in the supermarket now, which is a shame (although I had to struggle to get through them). On the other hand, summer is here. But the news is still bad. A never-ending supply as I've noticed before.
My posts have dropped off a bit and my artistic endeavour has also taken a hit. Such is life sometimes. I've had a lean period with my painting for two weeks really, with a so-so picture, preceded by a couple of abandoned works. It's not the end of the world and occasionally it's necessary to take a step back, wait and rebuild motivation. You can't force inspiration and there's no point worrying about it.
I still have quite a few paintings completed over the last few weeks to show, and even from last year. Maybe some not as worth the display. But I'll leave that judgement open for now.
Here's one I did a few weeks ago. I've spent a lot more time biking and walking, discovering some of Edinburgh's paths and parks. It's easy to forget Edinburgh is on the coast, with a northern as well as an eastern aspect. This picture is somewhere along the northern coast from Silverknowes to Cramond.
Below is a screen capture from a short YouTube video, an interview with David Hockney. The video's only about 4 minutes long and he's talking about the state of his art and the world. As usual, good sense and humour from him.
I don't think I can get such bright, almost neon, colour in my painting! Mine aren't backlit though.
He speaks of a philosopher he saw talking on television: the news comes on and he's asked how he can be optimistic with news like this? He replies, well, that's television. Bad news sells. So he's asked, what's the good news then? And he replies ... the arrival of spring. Hockney chuckles and it's a typical Hockney observation (about "observation" itself).
he says, of course nobody notices spring arriving usually but in the past, everyone noticed. In 2020, I think many more people started noticing as well. And now it's summer. End in sight of the "crisis"? At least the beginning of the end.
Above: Queensferry and Learmonth Shadows, oil, 8x10", April 15 2020
I painted this a few weeks ago, the "hook" being the light through the large tree casting a great mosaic of a shadow on the road. Not a particularly complicated picture and it came out fairly well. Unlike some other paintings recently though. In fact, a week or so ago I was having a lot of trouble sitting down and getting anything done. Some days are like that, and it can definitely cast a bit of a depressing shadow itself. Very frustrating. Luckily, I managed to break the spell last week. Hopefully for a while.
The National Portrait Gallery in London are hosting the BP Portrait Award show online this year and have created a virtual gallery in the web browser. I had a poke around and it works very well, although I think I heard my laptop fans start to spin a bit faster. A "virtual" gallery like this is not bad at all but no substitute for real life. I'll be having a "stroll" around it and checking out the pictures, almost as usual. The painting just in the above frame to the left is the 2020 winner.
I hope the London gallery does the virtual display like this every year. I was very disappointed that 2019 was the last year the BP Portrait Award exhibition would be shown in Edinburgh. The Scottish National Portrait Gallery decided they did not want to host anything sponsored by BP, an oil company. I'm opposed to that decision and feel a loss. I bet a lot of people do. Edinburgh's loss.
Four years ago, the Royal Academy had an exhibition I reported on called Painting the Modern Garden ("Monet to Matisse"). I enjoyed it immensely (I think I went twice): the RA know how to put on a great show. The Monet water lilies in the last room were like being before an altar. Quite magical.
The Academy have just put their film of the exhibition on YouTube. Beautifully produced and full of colour as you would expect. This is worth putting up on a big screen and sitting back to wallow in: much art and beautiful plants.
From the same day as the previous work. I liked the view a lot and did another small oil painting of the view of the city over Inverleith Park pond.
This is a study I painted in December 2019, based on a reference photograph from earlier in the month. A lovely cold and fresh morning, frost on the ground. The pond was mainly frozen and birds were standing around on the ice. It came out well I think :
No visits to the Mall Galleries this year either! This is the gallery I think I miss the most. This year's Royal Society of Portrait Painters exhibition is on and we've all got the email alert. Great paintings, online only. It really does pay to take some time to have a look through them.
Darren Butcher's painting shown below could be called caricature rather than portrait. Does it matter though? Very well painted anyway and there's an Expressions Two as well. In fact, there are a lot of new artists in the show this year, as well as the usual ones I remember and love.
The portrait below is by Alex Tzavaras. He runs a good YouTube channel called SIMPLIFY Drawing & Painting where he teaches painting technique and does some artist interviews.
It woud be great if the various painting societys and groups could work out a way to take their exhibitions north of the border each year as well somehow.
The Royal Scottish Academy annual exhibition is on just now. In normal circumstances I'd be up there in person. Unfortunately, these are not normal times. Anyway, thank goodness for the internet. These are a few pictures I liked, but there are quite a few others worth seeing.
The above Alan Robb painting is very striking (and large). This is only a detail.
Like the RA Summer Exhibition, it can be a hit or miss affair but there's always something good in it and I won't be alone in missing being there in person. Although there are many good things about viewing art online, it's not the same at all, no matter how good the photograph. I feel a lot of sympathy for the organisers of the show this year, but in particular for the artists. Some would have been looking forward to their first RSA presence. They must be very disappointed.
In a past life, before the crisis (maybe that should be BC, Before-Covid), I would often travel up to Edinburgh on the train for a holiday in September. I'd take a day trip to Glasgow and visit the Kelvingrove Museum, and the Hunterian a short walk up to the university. Sometimes freshers week was on and I got a reminder of my student days.
The sun was shining in a good way on this beautiful tree in the university quad one time over there. It was one of those magical moments that sometimes happens and you're in just the right place, light and colour link up nicely. Definitely something to try and capture in paint later. I did one of my "studies", which I thought was successful, and then blew up to a larger canvas :
The sky is blue, the sun is out and it's a beautiful day.
Geraniums by Ruth Murray.
Ruth Murray has won the Jackson's Painting Prize with this amazing oil painting of a garden greenhouse at night. I wrote about this prize a week or so ago and remember opening this picture to have a closer look and thinking how good it was. Very deserving. You can see some other examples of her work linked on the Jackson's page.
Ruth's web site is here.
At the end of his interview with Tim Marlow, Hockney says that he might be boring others but he's not about to go and bore himself: he'll do what he enjoys doing. This is another great YouTube video from the RA, covering Hockney's 2012 show with his amazing Yorkshire lanscapes, and his 2016 show with all the portraits (and a still life).
I've gone on about how much I loved his colourful landscapes many times before. He is 82 now and currently "stuck" in Normandy due to the COVID-19 lockdown. Luckily he paints and draws, so I hope he's capturing some great spring weather over there.
With the "lockdown" continuing, we can't go to the gallery. If I was still in London, I would definitely have gone to the Royal Academy to see their Picasso and Paper exhibition. The RA have created a virtual exhibition though and they've done an excellent job. Watch on their own site (link above) or on YouTube :
I have to say that I really like some of Lachlan Goudie's work, especially some of his newer stuff. It's bright. colourful and accomplished, whether the landscape, still-life or complicated engineering (see his shipyard work). Some of the gouache sketches he did in the Holy Land were also very good (a BBC film was made). I think that as far as the landscape and still-life work goes, he is very much in the tradition of the Scottish Colourists.
If you visit Goudie's web site (which is not the easiest to use), start with the "gallery" link (bottom) and view his "New Work" to start.
Paintings to draw inspiration from.
A painting of the front of the St Vincent Bar and the corner of St Vincent Street and Circus Lane, done a few days ago. I've not been in the bar but it's always seemed an attractive picture, as is Circus Lane.
This painting is only "OK" as well but I think it might do better on a larger canvas. We'll see (I have no plans).
This is Lachlan Goudie's "isolation" message via the Scottish Gallery. He's well known from being a judge in the BBC's various Painting Challenge programs but also makes other art related programs (e.g. on Charles Rennie Mackintosh). I like his work. He's also one of the few artists who seems to regularly use gouache paint.
Reasons to be Cheerful Part 1
Tesco were selling fresh blueberries : "100% extra free".
It's nice not to have the constant thrum of traffic on the roads.
I'm not just showing my "good" stuff, I'm also calling things "studies" to try and emphasise that I'm not spending too long on the paintings. I'm not going to display anything I think's terrible though! These two studies are not great: let's say I think they're OK. However, on occasion, I've initially hated a painting only to change my mind after a few days, so I try not to rip stuff up too quickly.
These were both done in the past week. The beach scene was rubbed out and re-done once. It's done on an MDF board, not canvas textured, so much smoother than I'm used to. I had some trouble adjusting.